Frank feminism at Taller Puertorriqueño Kukuli Velarde, a Peruvian-born Philadelphia artist, is known primarily for her feminist ceramic reinterpretations of pre-Columbian sculptures. The recipient of a Pew Fellowship and a Guggenheim Fellowship, she is now having her first Philadelphia solo show of paintings, at Taller Puertorriqueno. “The Complicit Eye” features […]
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by Peter Crimmins One of the paintings in “The Complicit Eye” at Taller Puertorriqueño, a Latino cultural center in North Philadelphia, features a European figure dressed in radiant finery. He is a serene archangel, the kind you see in a lot of medieval art. He is carrying a sword. Below […]
by By LEAH OLLMAN As satire, Kukuli Velarde’s work is both outraged and deliciously outrageous. The Peruvian-born, Philadelphia-based artist co-opts the forms of pre-Columbian ceramics to issue a postcolonial manifesto about identity and integrity. “Plunder Me, Baby,” her show at the American Museum of Ceramic Art in Pomona, is withering […]
Reviewed by Christopher Michno Plunder Me, Baby—sounds like an invitation, but an invitation to what? There’s irony aplenty in that title and it leaves a sickening aftertaste, as it’s meant. Kukuli Velarde’s trenchant and caustically humorous ceramic sculptures fix within their sights the conquest—both cultural and corporeal—of Latin America. This […]